▲ 建筑位于海崖之上，俯視大海_攝影：DONG 建筑影像
場地和設計任務：一個毗鄰東海的公共空間
項目位于福建省寧德市霞浦東海一號公路沿途，是寧德“零碳島”建設的重要組成部分�；卦彩且惶幱^景平臺和停車場。它毗鄰東海，視線開闊，平臺正面是兀立海中的筆架山島，崖下海礁林立，并有海蝕洞。海風，海浪，海島，海礁，海蝕洞，共同組成了海岸獨特的風光。
Site and design task: a public space adjacent to the East China Sea
The project is situated along Donghai No.1 Road in Xiapu, Ningde City, Fujian Province, and serves as a crucial element in the construction of Ningde's "Zero Carbon Island". The original site comprised a viewing platform and a parking lot. Adjacent to the East China Sea, it boasts a vast vista. Directly in front of the platform stands Bijia Mountain Island, rising majestically from the sea, with numerous reefs and sea caves lining the cliffs below. The sea breeze, waves, islands, reefs, and sea caves collectively create a unique coastal scenery.
▲ 建筑位于東海一號公路沿線_攝影：DONG 建筑影像
業主希望對停車場進行改造和升級，建設一座小型公共空間。建筑應該在保持原場地很好的觀海效果的前提下，為游客提供文化活動、聚會休息的場所，并兼顧一定的餐飲功能。同時，建筑也不能過多的影響自然環境，應該保持對環境的尊重，并盡量做到低碳節能。
The owner hopes to renovate and upgrade the parking lot, and build a small public space. The building should provide cultural activities, gathering and resting places for tourists while maintaining a good sea view effect on the original site, also taking into account certain catering functions. At the same time, the building should not have too much impact on the natural environment, and should maintain respect for the environment, while striving for low-carbon and energy-saving.
▲ 建筑嵌入場地，呈現不規則形態_攝影：DONG 建筑影像
在和業主討論后，大家對設計的原則達成了共識，正如寧德旅發集團周文玲董事長所述：建筑要體現三個字，“險、隱、融�！彪U，就是臨海但又不凌駕于海，又要讓人有險和懸的感覺。隱，就是隱藏在地里，如地里長出來的，以謙虛的樣子出現，不喧賓奪主，不打擾環境。融，就是融入海岸地貌，融入在地文化。
After discussing with the owner, a consensus on the design principles had been reached. As Chairman Zhou Wenling of Ningde Tourism Development Group stated, the building should embody three words: "precipitousness, concealment, and integration." Precipitousness means facing the sea but not exceeding it, while also giving people a sense of danger and suspension. Concealment means hiding in the ground, like what grows in the ground, appearing humbly, not disturbing the environment, and not making noise. Integration means blending into the coastal landscape and local culture.
建筑：半隱于地下的人工海礁
Architecture: A semi underground artificial reef
▲ 建筑采用覆土形式_攝影：DONG 建筑影像
▲ 建筑從周邊海礁和海蝕洞攝取靈感_攝影：DONG 建筑影像
建筑設計強調與環境的關系，也兼顧了可持續的理念。
設計靈感來自于場地周邊的海礁和海蝕洞，建筑形體呈不規則形狀，非直角的造型讓人聯想到場地周邊的礁石。建筑采用覆土形式，最大程度的避免了對土地的占用。建筑主體藏于地下，除了尊重環境的因素外，也讓室內溫度保持相對穩定，降低了夏天制冷的能耗。
Architectural design emphasizes the relationship with the environment and also takes into account the concept of sustainability.
The design inspiration comes from the reefs and sea caves around the site. The building has an irregular shape, and the non right angled shape reminds people of the reefs around the site. The building adopts a soil covering form, which minimizes the occupation of land to the greatest extent possible. The main body of the building is hidden underground, which not only respects environmental factors but also maintains a relatively stable indoor temperature, reducing the energy consumption of cooling in summer.
▲ 建筑半隱于地下_攝影：DONG 建筑影像
建筑的屋頂也是觀景平臺，覆土和重新鋪設的植被讓建筑實現了“零用地”的理念。屋頂東高西低，西面與停車場的道路銜接，東側微微翹起保證了建筑室內的高度。屋頂開設了若干造型奇特的通風口和采光口。它們的形體模仿了海洋生物，或扁圓、或三角、或長管，自由組合分布在草地中間，既可以作為屋頂草地上的裝置，供游客玩耍、拍照，又保證了室內的通風和采光。屋頂的邊緣有混凝土材質的擋墻，為了形成更為險峻的感覺，建筑師在東北和東南兩個轉角處設置了凸出擋墻的小平臺，并配以玻璃欄板。人們站在此處，有一種臨空的錯覺。
The roof of the building is also a viewing platform, and the covered soil and newly laid vegetation enable the building to achieve the concept of "zero land used". The roof is high in the east and low in the west, connected to the road of the parking lot in the west, and slightly raised on the east side to ensure the height of the building interior. The roof has several uniquely shaped ventilation and lighting openings. Their shapes imitate marine creatures in forms of flat circles, triangles, or long tubes, freely combined and distributed in the middle of the grassland. They can be used as installations on rooftop grasslands for tourists to play and take photos of, while ensuring indoor ventilation and lighting. The edge of the roof has a concrete retaining wall. In order to create a more steep feeling, the architect set up small platforms with protruding retaining walls at the northeast and southeast corners, equipped with glass railings, where people have a sense of emptiness while standing there.
▲ 建筑屋頂西側與道路連接，東側翹起_攝影：DONG 建筑影像
▲ 轉角處的小平臺，成為游客拍照打卡點之一_攝影：DONG 建筑影像
▲ 屋頂通風口的造型模仿了海洋生物_攝影：DONG 建筑影像
▲ 屋頂上造型奇特的通風口和采光口1_攝影：DONG 建筑影像
▲ 屋頂上造型奇特的通風口和采光口2_攝影：DONG 建筑影像
在東、南、北三個方向，建筑的外立面會顯露出來。朝向大海的東立面為落地玻璃，天海以及遠處的島嶼被“拉入”建筑室內，形成了很好的觀景效果。在南側和北側，外立面以墻面為主，對應室內的輔助功能性房間。建筑的外圈設有平臺，擺放著休閑座椅，可以供人在戶外休息，看景。平臺由棧道和周邊的道路和停車場連接，在后續的建設中，棧道將向巖壁下繼續延伸，為游客提供近距離觀看海蝕洞穴的可能性。
In the east, south, and north directions, the exterior of the building will be exposed. The east facade facing the sea is made of floor to ceiling glass, and the sky sea and distant islands are "pulled" into the interior of the building, creating a great viewing effect. On the south and north sides, the exterior facade is mainly composed of walls, corresponding to the auxiliary functional rooms inside. The outer ring of the building is equipped with a platform, where leisure seats are placed for people to rest and enjoy the scenery outdoors. The platform is connected by a boardwalk and surrounding roads and parking lots. In the subsequent construction, the boardwalk will continue to extend below the rock wall, providing tourists with the possibility of viewing sea eroded caves up close.
▲ 建筑外圈有平臺，供人休息_攝影：DONG 建筑影像
為了更好的與周邊的海礁融為一體，建筑外觀被設計成不規則形態。利用結構和功能性的開洞（門窗），墻面呈現出幾何化的切削和組合關系，伴隨墻體不同角度的傾斜，建筑看上去如同適度抽象后的海礁。外立面材料采用有色混凝土，為了塑造更為自然的質感，混凝土采用拉毛處理，讓建筑更接近巖石的感覺。
In order to better integrate with the surrounding reefs, the exterior of the building is designed in an irregular shape. By utilizing structural and functional openings (doors and windows), the wall presents a geometric cutting and combination relationship, accompanied by different angles of inclination of the walls, the building looks like a moderately abstract reef. The exterior material is made of colored concrete, and in order to create a more natural texture, the concrete is treated with roughening to give the building a more rock like feel.
▲ 建筑北立面_攝影：DONG 建筑影像
▲ 建筑外立面采用混凝土拉毛工藝_攝影：DONG 建筑影像
室內：多孔的海蝕洞穴
建筑的主入口位于屋頂西側，它有著一個半圓筒狀的造型，并從地下伸出來。從此處進入，通過下行的甬道，人們可以進入建筑內部。建筑的室內由多個相互串聯的“洞穴”空間構成。建筑師從周邊海蝕地貌獲取靈感，通過擬態的方式，創造了一個有機且具有戲劇性的空間。
Indoor: Porous sea eroded caves
The main entrance of the building is located on the west side of the roof, with a semi-circular shape that extends from underground. From here, people can enter the interior of the building through the descending passage. The interior of the building is composed of multiple interconnected "cave" spaces. The architect drew inspiration from the surrounding sea eroded landforms and created an organic and dramatic space through mimicry.
▲ 建筑入口_攝影：DONG 建筑影像
▲ 從主空間看入口空間_攝影：DONG 建筑影像
根據功能，室內空間分為門廳、主空間和后勤空間三個區域。門廳連接著主入口，一側設有吧臺，吧臺的背后是后勤區。主空間由沙龍區和展廳兩個區域組成，它們都位于建筑面向大海的一側，具有良好的視野。為了適應多種使用功能的需要，主空間區域被設計的相對開放。這里既可以舉辦展覽、小型聚會，又可以提供餐飲服務。
According to function, the indoor space is divided into three areas: lobby, main space, and logistics space. The entrance hall is connected to the main entrance, with a bar on one side and a logistics area behind the bar. The main space consists of two areas, salon and gallery, both located on the side of the building facing the sea, with a good view. In order to meet the needs of various usage functions, the main space area is designed to be relatively open. This place can host exhibitions, small gatherings, and provide catering services.
▲ 室內空間_攝影：DONG 建筑影像
室內的墻面、柱子和屋頂同樣采用混凝土材料，并呈現出有機的形態。柱子與屋頂銜接的部分以自由的曲面過渡，墻體上有不規則的起伏和空洞。這些空洞如同壁龕一樣，既是存放書籍，也可擺設燈具，烘托空間的氣氛。為了加強空間的戲劇性，也為了使室內獲得更好的采光和通風，建筑師在室內天花上設計了一系列通向屋頂綠地的光筒。這些光筒分布在門廳、主空間和后勤區域的天花上，大小不一，形態各異。通過它們，光線可以柔和的照入室內，人們也可以在此處與屋頂的人相互看見，形成有趣的對視關系。
The indoor walls, columns, and roof are also made of concrete material and presented in an organic form. The part where the column connects to the roof transitions with a free curved surface, and there are irregular undulations and voids on the wall, which are like niches, where books can be stored and lighting fixtures can be placed to enhance the atmosphere of the space. In order to enhance the dramatic effect of the space and provide better lighting and ventilation indoors, the architect designed a series of light tubes on the ceiling that lead to the rooftop green space, which are distributed on the ceilings of the lobby, main space, and logistics area, with varying sizes and shapes. Through them, light can enter the room softly, and people can also see each other on the roof here, forming an interesting visual relationship.
▲ 朝向大海的立面為落地玻璃_the facade facing the sea is floor to ceiling glass 攝影：DONG 建筑影像
▲ 入口空間，屋頂的空洞讓室內外聯系起來_entrance space, the void in the roof connects indoor and outdoor 攝影：DONG 建筑影像
為了讓空間獲得類似于海蝕地貌的有機形態，在權衡了造價的前提下，施工借鑒了雕塑的手法：先用金屬網在結構上定位，塑造出基本的趨勢，然后用可塑混凝土進行人工塑形，最后進行表面處理。
In order to give the space an organic form similar to sea erosion landforms, the construction drew inspiration from sculpture techniques while balancing costs: first, metal mesh was used to position the structure and shape the basic trend, then plastic concrete was used for manual shaping, and finally surface treatment was carried out.
▲ 建筑伸向大海的頭部被照亮并向兩側過渡_攝影：DONG 建筑影像
▲ 夜景鳥瞰_攝影：DONG 建筑影像
▲ 建筑屋頂照明_lighting on roof platform 攝影：DONG 建筑影像
照明：用光影塑造寧謐夜景
以尊重海邊的夜間暗光環境為前提，避免過度照明破壞既有夜景圖像的視覺亮度平衡，是極其重要的。屋頂平臺照明采用了相對克制的設計手法：主入口造型立面被照亮為游客提供視覺引導；設計師僅在在光筒造型的轉折處或重疊處布置小功率的埋地燈，以剪影狀呈現其形態各異的雕塑感。通過光筒自身的物理遮擋減少眩光的同時，依靠其表面肌理的漫反射給景觀綠地提供了柔和光環境。步道功能照明借助局部擋墻的反射光代替常規的草坪燈布置，盡可能地消隱燈具，弱化對白天建筑的視覺影響。出挑平臺通過轉角布置的星光埋地燈（0.2W）提示安全邊界，減少視覺干擾，提升游客觀景賞月的視覺體驗。此外，屋頂平臺暗光環境使得游客更好地感知海浪潮汐聲和鳥鳴聲。
Lighting: Creating a peaceful night scene with light and shadow
It is extremely important to respect the nighttime dark environment by the seaside and avoid excessive lighting that can disrupt the visual brightness balance of existing night images. The roof platform lighting adopts a relatively restrained design approach: the main entrance facade is illuminated to provide visual guidance for tourists; The designer only arranges low-power buried lights at the turning or overlapping points of the light tube shape, presenting their various sculptural forms in silhouette. By using the physical obstruction of the light tube itself to reduce glare, and relying on the diffuse reflection of its surface texture, it provides a soft light environment for the landscape green space. The functional lighting of the trail uses the reflected light from local barriers instead of conventional lawn lights, and tries to conceal the lighting fixtures as much as possible to weaken the visual impact on the building during the day. The protruding platform uses starlight buried lights (0.2W) arranged at the corners to indicate safety boundaries, reduce visual interference, and enhance the visual experience of tourists viewing the moon. In addition, the low light environment on the rooftop platform allows tourists to better perceive the sound of waves, tides, and bird songs.
▲ 照明以剪影狀表現屋頂采光口的雕塑感_攝影：DONG 建筑影像
▲ 主入口被照亮，引導人進入建筑_攝影：DONG 建筑影像
建筑外立面照明，通過外圈平臺的雙重防眩埋地上射燈，實現建筑面朝大海的前端亮，并向末端漸暗的過渡。加上近人尺度窗洞、門洞的重點照明，建筑呈現出一個戲劇性的幾何光影造型。建筑寬大檐口內側空腔的間接光為平臺休閑人群提供了柔和的基礎照明；檐口上刻意開設了若干小孔，光可以從中透射出來，形成的細膩光影變化。
The exterior lighting of the building is achieved through dual anti glare underground spotlights on the outer platform, which brightens the front end facing the sea and gradually darkens towards the end. Combined with the emphasis on lighting near human scale window and door openings, the building presents a dramatic geometric light and shadow shape. The indirect light from the inner cavity of the wide eaves of the building provides soft basic lighting for the leisure crowd on the platform; Several small holes are deliberately opened on the eaves, allowing light to pass through and create delicate light and shadow changes.
▲ 室內空間-2_攝影：DONG 建筑影像
室內以埋地燈上照的氛圍照明和對位桌面下照的功能照明為主，共同烘托出內部洞穴的視覺張力，彌漫在空間中的暖光內透為東海來往船只提供了心靈家園的視覺隱喻。
The indoor environment is mainly illuminated by ambient lighting from buried lamps and functional lighting from the table, which together create a visual tension of the internal cave. The warm light that permeates the space provides a visual metaphor for the spiritual home of ships traveling in the East China Sea.
▲ 建筑正對筆架山島_攝影：DONG 建筑影像
結語和反思：
“洞見·藍”空間一個很小的文旅項目，但對于地方來說又是重要的。首先，建筑為來東海一號公路的游客提供了一個全新的公共空間，填補了該區域長期缺乏優質文化空間的遺憾。其次，建筑獨特的外觀和體驗感成為了該區域新的文旅地標，很好的起到了引流的作用。建筑還遵循了環境友好原則：覆土設計減少了對土地的占用，建筑以一種謙虛但自信的姿態呈現，與環境實現了共生；建筑也引入了智能化控制系統，且盡量使用自然通風、自然采光，實現了有效節能。
Conclusion and reflection:
The Blue Insight Cave Space is a small cultural and tourism project, yet also important for the local community. Firstly, the building provides a brand new public space for tourists coming to Donghai No.1 Road, filling the regret of the long-term lack of high-quality cultural space in the area. Secondly, the unique appearance and experience of the building have become a new cultural and tourism landmark in the area, playing a good role in attracting people flow. The building also follows the principle of environmental friendliness: the soil cover design reduces the occupation of land, and the building presents itself in a humble but confident manner, achieving symbiosis with the environment; The building has also introduced intelligent control systems and tries to use natural ventilation and lighting as much as possible, achieving effective energy conservation.
▲ 模型-1 Physical model-1 © 三文建筑3andwich Design 拷貝
▲ 模型-2 Physical model-2 © 三文建筑3andwich Design 拷貝
項目也有遺憾：在最初的設計中，建筑師本希望用混凝土澆筑，然后人工鑿毛的方式來實現建筑的內外質感；照明設計師則希望在深夜模式中，實現呼吸般動態明暗變化與潮汐聲音的互動，但最終因為造價和工序等原因并沒有實現。
There are also regrets in the project: in the initial design, the architect intended to use concrete pouring and then manually chiseling to achieve the interior and exterior texture of the building; The lighting designer hoped to achieve the interaction between breathing like dynamic light and dark changes and tidal sounds in late night mode, but ultimately it was not realized due to cost and process reasons.
項目圖紙
▲ 總平面圖_site plan © 三文建筑3andwich Design 拷貝
▲ 平面圖_plan © 三文建筑3andwich Design 拷貝
▲ 剖面圖_section © 三文建筑3andwich Design 拷貝
▲ 照明剖面示意_lighting diagrammatic section © 三文建筑3andwich Design
▲ 東立面圖_ east facade© 三文建筑3andwich Design 拷貝
▲ 草圖-1 Sketch-1 © 三文建筑3andwich Design
▲ 草圖-2 Sketch-2 © 三文建筑3andwich Design
項目信息：
項目名稱：“洞見·藍”空間
地點：福建省寧德市霞浦縣長春鎮丹灣觀景平臺
業主：福建省金海旅游投資開發有限公司
建筑、室內設計：三文建筑/何崴工作室
主創建筑師：何崴
建筑設計團隊：王梓亦、吳文權、劉浩、何星辰
室內設計團隊：孟祥婷、王俊、支海洋
現場藝術指導：曾朝壘
照明設計：昭之宇照明
主動式技術顧問：威盧克斯
施工圖設計：北京華巨建筑規劃設計院有限公司
施工圖設計團隊：趙勇路、黃秋來、林燊、梁信林、郭建生、裴學龍、陳宗琪
施工單位：福建閩鑫盛建設工程有限公司
業主工程管理團隊：馬朝華、林立輝
設計時間：2023年8月-2024年1月
建成時間：2024年9月
建筑面積：460㎡
攝影：DONG建筑影像
Project information:
Name: The Blue Insight Cave Space
Location: Danwan View Platform, Xiapu County, Ningde City, Fujian Province, China
Owner: Fujian Jinhai Tourism Investment and Development Co., Ltd.
Architecture and interior design: 3andwich Design / He Wei Studio
Principle architect: He Wei
Architecture design team: Wang Ziyi, Wu Wenquan, Liu Hao, He Xingchen
Interior design team: Meng Xiangting, Wang Jun, Zhi Haiyang
On-site art consulting: Zeng Chaolei
Lighting design: UNI-Lighting
AH technical consulting: VELUX
Construction drawing design: Beijing VAGE Institute of Architectural Design & Planning Co., Ltd
Construction drawing design team: Zhao Yonglu, Huang Qiulai, Lin Shen, Liang Xinlin, Guo Jiansheng, Pei Xuelong, Chen Zongqi
Construction unit: Fujian Minxinsheng Construction Engineering Co., Ltd.
Owner Engineering Management team: Ma Chaohua, Lin Lihui
Design period: August 2023 – January 2024
Completion time: September 2024
Building area: 460sqm
Photographer: DONG Image
來源：本文由三文建筑/何崴工作室提供稿件，所有著作權歸屬三文建筑/何崴工作室所有。
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