Shodoshima the Gate Lounge / VUILD Inc.

由專筑網陳雪，小R編譯

VUILD完成了“小豆島the GATE休息室”，在設計師和客戶之間建立了一種新的關系，僅利用島上資源在偏遠島嶼上建立供應鏈。

Text description provided by the architects.VUILD completes‘Shodoshima the GATE LOUNGE,‘proposing a new relationship between designers and clients overcoming challenges to establish a supply chain on a remote island by only using resources on the island.





設計挑戰——小豆島位于日本西部，距離大阪180公里。在這個島上設計木結構建筑時，由于缺乏干燥加工設施，木材通常需從大陸運輸，耗費成本較高；VUILD提議將塑料溫室改建為干燥機，并安裝小型CNC加工機，利用島上現有的柏樹，來創建自己的設施�？蛻粝嘈胚@有利于當地社區和全球環境，因此同意采用自行采購材料，并親手建造設施，最終在他們的合作下完成了該項目。

Design challenge -Shodoshima Island is located in western Japan, 180 km west of Osaka. When designing a wooden structure on this island, lumber was previously transported from the mainland at great cost due to the lack of drying and processing facilities on the island; VUILD proposed to create their own facilities by converting a plastic greenhouse into a drying machine and installing a small CNC processing machine to utilize the existing cypress trees on the island. Believing that this would be beneficial to both the local community and the global environment, the client agreed to a policy of procuring materials and building the facility with their own hands, and this project was completed with their cooperation.









客戶前往該島尋找基礎所需的石材和木材，確保材料的碳足跡控制在5.5公里的半徑范圍內�？蛻粲H自運輸材料，在建筑師和承包商的指導下為木材剝皮、碾磨和涂漆。VUILD在這些條件下承擔了指導和協調設計與施工的艱巨任務。

The client traveled to the island to find the stone and wood for the foundation, and the carbon footprint from the source was kept to a minimum within a 5.5 km radius. The client himself transported the materials, peeled, milled, and painted the wood under the guidance of the architect and contractor. VUILD undertook the difficult challenge of guiding and coordinating design and construction under these conditions.





項目——該項目是一個商店設施，客戶從事橄欖的種植、研究與開發、生產和銷售，地點位于小豆島�？蛻粢恢痹诰W上銷售橄欖產品和化妝品，但隨著業務的增長，他們認為需要一個線下銷售和互動的場所。除了體驗產品和服務，來訪者還可以觀察實際的種植和壓榨過程，并在逗留期間通過五感享受滋養橄欖的氣候和風景。VUILD設計了一個具備門戶功能的場所，作為這種體驗的起點，同時提供休息區，讓主辦方與訪客、以及訪客之間進行互動。

Program- The program is a shop and facility for the client, who is involved in the cultivation, research and development, production, and sales of olives on Shodoshima island. The client had been selling olive products and cosmetics online, but as their business grew, they felt the need to create a place for face-to-face sales and interaction. In addition to experiencing the products and services, visitors can observe the actual cultivation and pressing process and enjoy the climate and landscapes that nurtured the olives through their five senses during their stay. VUILD designed a place with the function of a gate as a starting point for such experiences and a lounge where the host and visitors, as well as visitors and visitors, can interact.





環境考慮——該場地面朝大海，建筑圍繞一棵象征性的千年橄欖樹而建。在建筑設計中，風向和采光得到了細致的考量�？沙掷m發展工程師對自然光和風的流動進行了模擬，建筑的三向擴展形態促進了自然通風和多向流動。墻面設有三層空腔，用于采光和通風，在陽光明媚的日子里，即使在建筑中心，也可以期待達到約500 lx的自然光照強度。此外，建筑形狀分為三個部分，也能有效捕捉來自海洋的風，通過縫隙將捕獲的風引入室內。

Environmental consideration-The site faces the sea, and the building is positioned to wrap around a symbolic 1,000-year-old olive tree. The direction of wind and light was carefully considered in the architectural design. The flow of daylight and wind was simulated by a sustainability engineer, and the building's three-way spreading form encourages natural ventilation and multi-directional flow to the site. The walls have three layers of slits for lighting and ventilation, and on sunny days, natural lighting of about 500 lx can be expected even in the center of the building. The building shape, which is divided into three sections, also has the effect of catching the wind from the sea, and by drawing the captured wind into the room through the slits, it can be expected to have a natural lighting effect of about 500 lx even in the center of the building on a sunny day.



通過將捕獲的風通過空腔引入房間，即使在入口關閉時，人們也可以始終感受到約0.3米/秒的溫和氣流�；�礎采用了來自該地區的大塊花崗巖石，而非混凝土，而用于結構框架的600根柏木原木也來源于該地區。

By drawing the captured wind into the rooms through the slits, a gentle air flow of around 0.3 m/s can be felt at all times, even when the entrance doors are closed.Instead of a concrete foundation, huge granite stones from the region were used for the foundation, and the 600 cypress logs used for the structural frame were all logged in the region.







技術和施工方法的應用——本項目的挑戰不僅在于為用戶設計空間并做到環保，還在于準確創建用于數控（CNC）機床加工構件的切割數據，以便組裝結構和墻體。這種復雜的制造工藝過去只有熟練的木匠才能完成，但數字化制造技術使得任何人都能生產出精確的木工作品。

Use of Technology and Construction Methods -The challenge of this project was not only to design the space for the user and design it environmentally but also to accurately create the cutting data for the CNC machine to machine the components to assemble the structure and walls. Such intricate fabrication used to be done only by skilled carpenters, but digital fabrication technology has made it possible for anyone to produce accurate woodwork details.



在結構上，精細切割的端接件被預組裝成一個拱形原木的截面單元。半鋸原木和鼓形木材交替結合，并用螺栓固定，以傳遞應力。原木的直徑設定在150至200毫米，而長度則根據數控機床的最大切割能力設定為2.5米以下。在這些條件下，形狀接近軸力系統，用于承受垂直荷載并減少推力。

Structurally, the intricately cut members for the end joints were pre-assembled to create a sectional unit of arched logs. Half-sawn logs and drums were alternately combined and bolted together to transfer stresses. The log diameter was set at 150 to 200 mm, which is easy to obtain in Shodoshima island, and the length was set at 2.5 m or less based on the CNC machine's maximum cutting ability. Under these conditions, the form was determined to be close to the axial force system for vertical loads and to reduce thrust.





























建筑師：VUILD
類型：公共建筑，商業建筑
面積：81平方米
時間：2023年
攝影：太田拓美
首席建筑師：Koki Akiyoshi
結構工程師：Graph Studio
環境工程師：Studio Nora
燈光設計師：TILe
施工管理：Maruki Inoue Koumuten
項目設計：Akito Nakai、Kenta Isebo
國家/地區：日本

PUBLIC ARCHITECTURE,COMMERCIAL ARCHITECTURE JAPAN
Architects: VUILD
Area: 81m²
Year: 2023
Photographs: Takumi Ota
Lead Architect: Koki Akiyoshi
Structural Engineers: Graph Studio
Environmental Engineers: Studio Nora
Lighting Designers: TILe
Construction Management: Maruki Inoue Koumuten
Project Designers: Akito Nakai, Kenta Isebo
Country: Japan